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20.01.2025
Potsdam, Unterwegs im Licht 2025
On Saturday (18.1.), the third part of the Soundless Music light composition “The Colors of Light and the Thermodynamics of (Urban) Life” by light artist and architect Ruairí O’Brien accompanied the numerous cultural actors of the Potsdamer Mitte and the visitors of “Unterwegs im Licht” 2025 through the evening.
O’Brien’s soundless-music light composition immersed 21 buildings in the city center, including the city canal, the Garrison Church and the buildings on the Alter Markt, synchronously in spectral colors and created a cheerful, festive lighting atmosphere.
“Everyone was so cheerful and happy. The overall atmosphere was great, another great festival!!!” (The Filmmuseum Potsdam on the event “Unterwegs im Licht” 2025).
Our thanks go to:
- Our client and the organizer, the state capital of Potsdam, who makes this ambitious project possible year after year for the trust they have placed in us.
- Our project partners, P3 Projekt Management GmbH (project management) and TLT Event AG (technical implementation) for their many years of excellent, close and reliable cooperation.
- To all those who made this wonderful evening such an experience with their commitment and / or their participation.
It was a great pleasure for us to develop and realize the Ruairí O’Brien Light Composition 2025 in Potsdam with you and for you.
Photos: André Wirsig
Dresden International Airport – Departure terminal lighting concept
Dresden International Airport – Lighting concept for the departure terminal
Our lighting concept for Terminal 1 at Dresden International Airport aims to build a bridge to the future. In addition to technical lighting to ensure traffic safety, precise light differentiation of individual areas, levels and elements helps travellers find their way around.
The architectural lighting design emphasises the spatial quality and the unmistakable industrial architecture of the terminal and underlines the uniqueness of Dresden Airport. It supports the positioning of the airport as a modern, open and future-orientated location of international stature.
The lighting concept combines technical lighting and light art to visually depict themes such as flying, the sky and mobility and to create a symbolic link between the past, present and future. This concept gives the previously anonymous hall a narrative dimension that offers a special experience for air travellers from all over the world.
The “flying carpet“,(a carpet of light) consisting of numerous curved downlights under the hall roof, creatively provides adequate illumination of the floor and creates a unique aesthetic. A “cloud of light“ immerses the entrance hall in dynamically changing lighting moods and uses reflective moving elements to create a constantly changing interplay of light and shadow, which has a fascinating effect both in natural daylight and with artificial lighting.
A light and glass sculpture, made of holographic and dichroic elements, enables visitors to be symbolically “beamed“ into the universe.
Client: Flughafen Dresden GmbH
Services provided: Terminal 2017 lighting concept
Design guidelines for Lehnin Monastery
23.08.2024
Design guidelines for Lehnin Monastery
Kloster Lehnin is a municipality in Brandenburg, about an hour from Berlin city centre. The district of Lehnin owes its origins to the former Cistercian monastery, the oldest monastery in the Mark Brandenburg, which was founded in 1180 and secularised during the Reformation in 1542. Since 1911, it has been home to the Luise-Henrietten-Stift, a Protestant deaconess house.
Our task is to draw up a design guideline for the town planning office to guide the future development of the neighbouring buildings, houses and businesses in the small town of Lehnin in harmony with the listed monastery ensemble. The aim is to preserve the architectural heritage and at the same time enable the use of contemporary technologies, such as the integration of photovoltaics. A key issue is the sensitive positioning and installation of solar modules in the historic roofscape and the preservation of Lehnin’s special street character, including the protection and adaptation of the vegetation in the townscape with regard to climatic changes.
We carry out the necessary on-site surveys and inspections and liaise with specialist authorities. In addition, we support the municipality in the implementation of the process, assist with public and official participation, prepare draft texts for announcements and meeting documents and analyse the comments. The project period runs from April 2024 to December 2024.
Transformation 1.535° ERZ
Transformation 1.535° ERZ
Lighting design for the new Kunstguss Lauchhammer experience centre
We are pleased to announce that we have been selected to join the team of experts working on the ambitious “Transformation 1.535°” project in Lauchhammer, Brandenburg, Germany. This extensive project spans two sites: “ERZ” (ORE) with art casting museum, art foundry and Friedenskirche in Lauchhammer-Ost (13.8 ha) and “KOHLE” (COAL) with bio-towers, activated sludge basin and relic park in Lauchhammer-West (32.2 ha).
Our contribution to the planning and development team is the creation and implementation of the lighting concepts for the public space, the landscaping, the art casting museum, the new “Education and Experience Centre for Art Casting and Industrial Culture” and the famous listed bio-towers (see picture).
The “Transformation 1.535°” project is one of the most ambitious cultural and tourism initiatives in Germany, if not in Europe. Its aim is to transform the remnants of East Germany’s coal industry history into a vibrant centre for art, education and tourism.
An important part of this project is the expansion of the Lauchhammer Art Casting Museum into an “Education and Experience Centre for Art Casting and Industrial Culture”. This centre will honour the region’s rich industrial heritage while promoting modern educational and cultural experiences.
The Biotowers, a unique and impressive example of East German industrial culture, are at the centre of this transformation.
These structures, which once bore witness to the region’s industrial prowess, will be brought back to life through exhibitions, information programmes and innovative lighting concepts so that they can be preserved and appreciated for future generations.
We are delighted to be able to contribute to this epoch-making project and to contribute to its sustainable and holistic success with our expertise in the communicative and aesthetic power of architectural lighting design.stay tuned for more updates on this exciting journey!
Transformation 1.535° COAL
20.08.2024
Transformation 1.535° COAL
Lighting design for the new Kunstguss Lauchhammer experience centre
We are pleased to announce that we have been selected to join the team of experts working on the ambitious “Transformation 1.535°” project in Lauchhammer, Brandenburg, Germany. This extensive project spans two sites: “ERZ” (ORE) with art casting museum, art foundry and Friedenskirche in Lauchhammer-Ost (13.8 ha) and “KOHLE” (COAL) with bio-towers, activated sludge basin and relic park in Lauchhammer-West (32.2 ha).
Our contribution to the planning and development team is the creation and implementation of the lighting concepts for the public space, the landscaping, the art casting museum, the new “Education and Experience Centre for Art Casting and Industrial Culture” and the famous listed bio-towers (see picture).
The “Transformation 1.535°” project is one of the most ambitious cultural and tourism initiatives in Germany, if not in Europe. Its aim is to transform the remnants of East Germany’s coal industry history into a vibrant centre for art, education and tourism.
An important part of this project is the expansion of the Lauchhammer Art Casting Museum into an “Education and Experience Centre for Art Casting and Industrial Culture”. This centre will honour the region’s rich industrial heritage while promoting modern educational and cultural experiences.
The Biotowers, a unique and impressive example of East German industrial culture, are at the centre of this transformation.
These structures, which once bore witness to the region’s industrial prowess, will be brought back to life through exhibitions, information programmes and innovative lighting concepts so that they can be preserved and appreciated for future generations.
We are delighted to be able to contribute to this epoch-making project and to contribute to its sustainable and holistic success with our expertise in the communicative and aesthetic power of architectural lighting design.stay tuned for more updates on this exciting journey!
St. Josef Church
Lighting concept for St.Josef Church Dresden
Reconstruction and expansion of the St. Josef Dresden-Pieschen parish center
Space of encounter (Baptismal font)
Community hall
Chapel
Community center
Transport area
Old Cotton Flöha
Old Cotton Flöha
lighting design presented for urban development funding day
On Saturday, May 4th, 2024, the City Funding Day took place again across Germany. Always a good opportunity to experience the funded projects directly on site.
We supported the city of Flöha with visualizations, the redesign of the Old Cotton with the day and night lighting concept by Ruairí O’Brien. Presenting lighting design to the public.
With the help of QR codes on four different banners that were hung around the construction site, visitors could and can take a look into the future and explore the new marketplace for themselves, day and night, from four different perspectives in 3D format. The banners and perspectives will continue to be visible in the future. View here
Food Court GUC-German University in Cairo
Food Court GUC
Shade roof Food Court GUC
The images show our design proposals for a shade roof on the central square in the university campus of the German University in Cairo to optimize the conditions of use there.
The space is primarily used for catering for students and employees. It is a popular meeting place and location for meetings and presentations. Current information about university operations runs on the large screen. Due to the climatic conditions, it is often not possible to use the food court during the day, especially in summer, as the temperatures are too high and people therefore tend to seek out closed rooms or the shade. It was against this background that the project to build a shade roof came about.
The following goals are associated with this:
• Improvement of the heat situation during the day through shading (shade roof)
• Enabling use in the evening by illuminating the square from the shade roof
• Increase appeal – more guests use the food court
• Increased length of stay – guests stay longer
Our work consisted of the architectural concept for a large-scale roofing in several variants. By Ruairí O'Brien. For this purpose, a suitable lighting concept was developed for the attractive staging of the room below.
Further information can be found at the following link.
Eternity Art Competition Frechen Central Memorial
Eternity
Competition entry by Ruairí O’Brien for the Frechen Central Memorial
Ruairí O'Brien's work of art "Eternity", with its striking and at the same time simple elements in a material and metaphorical sense, forms a dignified space for remembering all victims of the National Socialist tyranny. The two vertical masts and the line of light floating horizontally between them mark and house the real Fre¬chen green space; At the same time, through the immaterial spaces in between, they inspire an unlimited mental wandering between times, spaces and events. A line crosses the sky and illuminates the ground below. At the same time, reference is made to the spatial and temporal significance of the topic. The meta-level created in this way, which can be perceived haptically / visually / with the senses, forms an expansion space and yet an ensemble with the information board designed for concrete, authoritative verbal information about the history. “Simplicity gives complexity” - Simplicity allows and harbors great complexity here. The work of art brings public attention to the central memorial site. It marks this central square as a central memorial day and night and symbolically refers to the places where the events took place. The work encourages you to linger, to pause, and offers flexible space for mediation work by institutions, groups and individual actors. The line of light (bridge) that invites you to look, think and remember, it remains, it is always there. The work of art has a noticeable day and night effect. Depending on the viewer's location, depending on the time of year and day, depending on the weather, lighting conditions, environment and individual visitor's condition, it develops its effect - sometimes more delicate, sometimes more intense, always with a long-distance and close-up effect. Anyone who approaches the work of art opens up different perspectives and perceptions. Viewers are reflected in the masts, their gaze connecting their own self with the surroundings and the subject matter. The environment is reflected in it, light is reflected and directed.