video works


MUSEUM and EXHIBITION ARCHITECTURE

The video shows a selection of Ruairí O’Brien’s work for museums and exhibitions. Nine projects in nine slides.

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Lightsculptures and Installations – Ruairí O’Brien 2025

The video shows a selection of Ruairí O’Brien’s current light sculptures and light installations, as well as complementary pieces from previous years. Art, light, and architecture in fascinating interplay.

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Insights into the works of Ruairí O’Brien


The video shows a selection of Ruairí O’Brien’s works and concepts – from initial ideas to realised projects. The creative process and glimpses behind the scenes also become visible and provide an authentic insight into his way of thinking.

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Digital memory homage to Jorge Luis Borges-Ruairí O’Brien

Ruairí O’Brien’s live performance is an impressive artistic exploration of memory in digital space.

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Our concept for the “House of Democracy” competition


A look behind the idea we developed for the open competition.

-more information can be found on our architects website at


Freehand Drawing & Modelling

The short film shows the kick-off event with first semester students of Ruairí O’Brien at the German University in Cairo.

-more information can be found on our architects website at


Workshop in Berlin – Eating the Light


In this video, Ruairí O’Brien explains the central role of light in our lives. It shows how light – whether natural or artificial – influences our perception, emotions and environments. Experiments, projects and design processes illustrate the broad spectrum of effects of light in everyday life and in architecture.

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“Light of Cairo-Maadi”

Ruairí O’Brien’s short film takes the viewer on a visual journey through Cairo and shows how light – whether sun or street lamp – shapes urban life. The result is an impressive portrait of a city characterised by the interplay of light and darkness.

-more information can be found on our architects website at

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Enhancement of the Luther Monument in Berlin

Enhancing the Luther Monument in Berlin

Through the Interplay of Architecture, Light, and Art

Proposal for the Negotiated Procedure: Monuments and Memorials, Contracting Authority: GRÜN BERLIN GmbH

Artistic Concept

This proposal is founded on the belief that powerful public spaces do not require many elements.

Rather than elevating Luther above the people, the monument returns him to ground level, restoring a direct human relationship. The sculpture is part of everyday life, inviting reflection rather than reverence. There are no monumental barriers, no stone seating, walls or physical obstacles that separate the figure from the public street. Instead, the design expresses the idea of Volksnähe—Luther among the people.

The intervention is composed of four elements:

  • Luther
  • The Ground
  • A Light Mast
  • An Information Point

Concentric circles radiate from the monument, expressing the continuing influence of Luther’s ideas. They represent the outward expansion of his revolutionary thinking—from the individual to society, from the local to the global. The black and white stone circles suggest a pulsating energy going out from Luther’s revolutionary personality and moment in time that resonates today and into the future.

Light is used with precision and restraint. A single luminaire illuminates Luther’s face and the open book, drawing attention to the moment of reading. It symbolises the light of the Reformation—the illumination of knowledge, language and individual thought. Here, light becomes more than illumination; it becomes the medium through which an idea continues to be heard and seen across time.

The illuminated information point provides historical interpretation through text and QR access to further digital content. Its dichroic glass changes continuously with daylight, weather and the movement of the observer, while after dark it becomes a quiet beacon within the square. The monument is therefore never static, but constantly renewed through the changing qualities of natural and artificial light and movement of the viewer.

The result is a place of reflection that is historically sensitive, spatially calm and unmistakably contemporary—a restrained intervention where architecture, art and light work together to make history present and accessible.

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Welcome Elements Bad Wiesenbad Thermal Baths

Light Sculpture and Welcome Signage for Thermalbad Wiesenbad

Architectural city-marketing and orientation elements for the spa town

For the well-known Saxon spa town of Thermalbad Wiesenbad, we developed a cohesive and distinctive welcome and wayfinding system that combines orientation, recognizability, and a strong culture of hospitality within the public realm. The objective is a clear, high-quality address to all arriving visitors, as well as a positive and friendly farewell for those departing.

At all town entrances, welcome signs approximately three meters in height are planned. Designed in a contemporary, reduced formal language, they mark the transitions into and out of the town. Clear typography, high-quality materials, and an individual mode of address create trust, provide orientation, and leave a positive first impression.

The system is complemented by a four-meter-high artistic-architectural light sculpture serving as a central landmark within the roundabout. It translates the signet of the thermal baths into a contemporary three-dimensional form, uniting regional heritage, the power of the thermal springs, and the spa tradition into a clearly legible symbol. Its perforated metal structure and integrated lighting ensure a strong presence by day and a powerful long-range visibility at night. As a visual guiding element, the sculpture structures space, directs sightlines, and supports intuitive orientation at a key traffic node.

Together, the sculpture and the welcome signs form a coherent city-marketing and orientation system. They translate the identity of the spa town into a contemporary design language, strengthen its presence within the urban space, and shape the image of Thermalbad Wiesenbad — clear, welcoming, and memorably enduring.

Jesse Owens Information Sculpture – Place of Remembrance

Jesse Owens Information Sculpture

Place of Remembrance at Olympic Stadium Berlin

Ruairí O’Brien developed the concept for a place of remembrance in front of the Olympic Stadium in Berlin, dedicated to the American track and field athlete James Cleveland “Jesse” Owens. At the 1936 Olympic Games in Berlin, Owens won four gold medals in the 100 metres, long jump, 200 metres and 4 × 100 metres relay, becoming the most successful athlete of the Games. His triumph powerfully disproved the racist ideology of National Socialism.

The memorial sculpture combines architecture, light, history and movement to create a spatial experience. A transparent structure in front of the stadium takes the 100-metre track as its narrative line. Reflective and optical elements direct sunlight during the day and, at night, create a precise drawing in light that makes Owens’ run, his speed and the moment of victory tangible.

The result is a place between remembrance, perception and physical experience. Visitors do not simply look at a sculpture; they move along a story. Light, reflection, scale and rhythm make speed and time visible — inviting visitors to see, think, read, learn, ask and enjoy.

Tourist Guidance System for Neustadt in Saxony

Tourist Guidance System for Neustadt in Saxony

Holistic, individual orientation system in combination with a pedestrian guidance system and a parking guidance system

Consisting of individual elements:

  • Arrow signposts
  • Orientation boards (city and district maps)
  • Announcements (showcases / display cases)
  • Pin boards
  • Hiking boards / hiking maps
  • Welcome boards / town entrances
  • Parking guidance system / parking signs and arrow signposts

Planning services:

  • Phase zero / goal identification
  • Concept development (urban orientation concept)
  • Goals and route development based on target spiders
  • Application for funding / project management funding documents
  • Architectural concept (guiding system elements, design, dimensioning, materiality)
  • Cartography: city maps + panels
  • Signalling (signs, pictograms, contrast, font sizes)
  • Graphic design (corporate design, application and adaptation)
  • Text editing / translation (Czech / English)
  • Implementation / realization (project mangaement, construction supervision)

Client:

Municipality of Neustadt in Saxony

Period of development: 2019-2022

Middle Building of Dora Concentration Camp Memorial, Nordhausen

Middle Building of Dora Concentration Camp Memorial, Nordhausen

Redesign of the didactic development of the tunnel complex

Competition entry, 3rd place

Our concept “Points and Lines” consists of two elements: Points of information and lines of paths in between. This concept includes the didactic idea that the light line guides the visitors and the information pillars (points) mark the destinations.
The information pillars or information light sculptures, convey the story and give the guided tours gathering points where the visitors get visual information and explanations together by the guide.
The light lines are guiding elements that lead to these information points and at the same time illuminate the space.
Both the information modules and the lighting are clearly different in their design from the original environment and thus convey a contrast to the original historic gallery. Since the exhibition elements are placed away from the walls and ceiling, they can be displayed while showing the surrounding environment.

We are pleased to have won third place in this competition with numerous renowned participants.

You can find our concept in detail here.

Columbia Concentration Camp Memorial

Columbia Concentration Camp Memorial

Artistic-architectural concept for marking and visualizing the historical site

The Columbia concentration camp was one of the first concentration camps at the time of the National Socialists and was located at the northern edge of the Berlin Tempelhof airport site, with whose construction it was demolished.

With the aim of making the building and this part of German history perceptible again in the public space, the “Topography of Terror” Foundation organized a design competition to which Ruairí O’Brien was invited to submit a proposal.

Our concept, which is in line with the preservation order and barrier-free, is purposefully kept simple. A band of Corten steel is used to mark the footprint and volume of the disappeared building in parts on the original site.

The entire area can thus be experienced in a multi-layered way. Through the prominent bridge and the large gravel surfaces, the area can be perceived on different levels. As the viewer moves, his perspective changes, creating new spaces for thought. At the same time, the footbridge is a signal with a long-distance effect that provides a distinctive reference to the memorial site and also offers the possibility of accessing the entire site.

Sponsor: Topography of Terror Foundation

Project partner: Slapa und die Raumplaner

Prefabricated Construction Museum “Concrete Timeline”, Dresden

Prefabricated Construction Museum “Concrete Timeline”, Dresden

Museum project on wasteland revitalization, urban and building history

The wasteland in Dresden-Johannstadt was revitalized by Ruairi O’Brien from 2002-2005 through the creation of the Prefabricated Construction Museum “Concrete Timeline”. In the micro museum for prefabricated construction, the architect thematizes diverse time periods specific to the site and its history. Likewise, universal questions from the fields of housing, culture, architecture and urban planning, art and society, which also affect future developments, are presented.
For more information on the project, click here

Euthanasia Information and Memorial Site, Berlin

Euthanasia Information and Memorial Site, Berlin Tiergartenstrasse

Competition entry for the design competition Memorial and Information Site for the Victims of the National Socialist “Euthanasia” Murders at the site of the planning headquarters, Tiergartenstraße 4 in Berlin.

Based on the artistic core idea of creating a dialogue between the spatial expression for the commemoration of the victims, the sculptural “pool of tears” and the site of the perpetrators with the ground plan of the building Tiergartenstrasse 4, both a mental and emotional approach to the topic of “euthanasia” murders becomes possible.

Awarded by: City of Berlin, 2012

Beirut Memorial

Beirut Memorial “Pool of Remembrance”

Memorial for the victims of the gas explosion in 2020

International call to develop an architectural idea for a memorial in Beirut to mark the site of the tragic explosion in 2020.

“The need of people to face death, tragedies and losses has produced great art, music, poetry and architecture. Burial chambers, cemeteries, remembrance gardens and memorials reveal to us countless human stories. They reflect us, our time and our culture.
As part of the healing process, we must close the wounds and tend to the scars, to leave a mark for new beginnings. It’s very challenging to create a place where people can feel a transition, an access to spirituality or just to their own inner selves, a place where they can find peace, whether it’s through hope or acceptance.” Ruairí O’Brien, 2020